it looks like it’s my first realeased music:
Wiernosc by Daria Woszek
Maj 23rd, 2011 § 0 comments § permalink
directed by
Daria Woszek
scenography & costumes
Joanna Piestrzyńska
editing
Jan Kidawa – Błoński jr.
cinematography
Michał Sosna
sound
Krzysztof Ridan
music
Michał Dymny and Piotr Żyła
production
Anna Zajączkowska Afilm
starring
Radosław Krzyżowski, Mateusz Janicki, Bartosz Gelner, Karolina Kominek, Dominika Bednarczyk, Aldona Grochal, Tomasz Międzik, Tomasz Augustynowicz, Julia Wyszyńska, Sylwester Piechura
Directions in Music – Ray Charles
Styczeń 10th, 2011 § 1 comment § permalink
DIRECTIONS IN MUSIC is a project with the aim of a presentation of the work of the greatest jazz musicians. The rhytmic section is created by musicians from the Audiofeeling Band and the guests are connected to the work of the artist.
Paweł Kaczmarczyk – piano
Jorgos Skolias – vocal
Maciej Adamczak – double bass
Dawid Fortuna – drums
sound on concert and recording – Piotr Zyla
mix by MrKamyk100
10.01.2011, Piec ‘ Art acoustic jazz club
Vadász Orsolya in Kawiarnia Naukowa
Listopad 27th, 2010 § 0 comments § permalink
Vadász Orsolya visited Krakow in november. She was about to play in Kawiarnia Naukowa on 27th. Somehow it occured, we joined her and created a small noise-ensemble.
Vadász Orsolya – electronics
Konrad Geca – electronics
Aleksander Papierz – saxophones
Michal Dymny – guitar
Piotr Zyla – acoustic bass
Recording by Konrad Geca:
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27.11.2010, Kawiarnia Naukowa
Ars Cameralis Silesiae Superioris 2010 @ Hipnoza
Listopad 20th, 2010 § 0 comments § permalink
Once again I was invited to improvise music background for a poetic soiree @ Hipnoza. This time i was asked to organize a small ensemble, which eventually consist of Paulina Owczarek, Michal Dymny and me. Wiktor Krzak was about to play with us on a bassoon, but unfortunately it turned out that the day of performance is not suitable for him, as he had to play with his orchestra… Unfortunately there’s no recordings from that performance.
poets
Maciej Melecki, Wojciech Brzoska, Bartlomiej Majzel, Krzysztof Siwczyk, Radsloaw Kobierski, Grzegorz Olszanski
musicians
Paulina Owczarek – saxophone
Michal Dymny – guitar
Piotr Zyla – laptop
20.11.2010 Hipnoza, Katowice
Prada Meinhoff @ Kontener Art
Październik 27th, 2010 § 0 comments § permalink
Justyna Kowalska recently wrote monodrama about Baader-Meinhoff group, Red Army Fraction and all that crazy time after 1968… She decided as well, to direct it, and perform it. I was invited to write the music, however I have to say, we did that together – i mean even in this part of work, she was very active. All the music was played lived on stage, partly improvised. The premiere was on 27th of october @ KontenerArt in Poznan.
author, director, dramatist, actor
Justyna Kowalska
scenography
Katarzyna Różniak
music
Piotr Żyła, Justyna Kowalska
Short sample of theme used in some parts of play for narrations:
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Cuts from final scene – all sounds are just actress’ vocal, it’s feedback and live, improvised processing of that material:
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27.10.2010 KonterArt, Poznan.
Wino by Krzysztof Szafraniec
Październik 1st, 2010 § 1 comment § permalink
Piotrek Pawlus rang me one day in august and asked, if i’m fancy doing sound for animation, created by his friend Krzysiek Szafraniec for an exam at PWSFTViT in Lodz. There was quite a lot stuff to do, because i wanted to record/create all the sound by myself. First problem was the sea – i wasn’t able to go for a trip to record it, so i rang Michal Dymny, who was at the time on vacation at seaside. The second thing was the crow – i started to think about asking some ornithologist, where i can easily record them… but eventually i used freesound.org. So one background and one detail weren’t my author’s sounds.
Morphe by Herman Muntzing
Maj 29th, 2010 § 1 comment § permalink
At the end of may Herman Muntzing – after playing on Audio Art – conducted kind of workshops at CSW Solvay, during which we perfomed his composition called Morphe. It’s a typical aleatoric composition: all the musician has pile of cards with words like: slow, fast, loud, silence, follow etc…, which suggest him what to play. The interpretation was free – on the silence card, we could be quiet, however it was rather prefered to play silence. On the follow, we should choose another musician to follow (whatever it means – play the same? be just behind?) We made two takes – in first one, everyone was changing his cards whenever he felt like he want to change, and in the second one, everyone had to change his cards in proper time: like after every 45 seconds, 60 seconds, 90 seconds, 120 seconds. So from time to time, we change altogether, and sometimes it was crossed.
Herman Muntzing – electronics
Keir Neuringer – saxophone
Michal Dymny – electric guitar
Piotr Zyla – electric bass
Some cuts from the Morphe first take:
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Part of second take:
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And the unexpected finish, when the manager of Solvay came and quietly tried to inform „Mr. Michal… transport is waiting…”, as Michal was about to play at the Museum just afterwards. Herman had then follow card, so he started to repeat his words, and the Michal’s words…
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29.05.2010, CSW Solvay, Krakow
Morskie opowiesci by Daria Woszek
Maj 15th, 2010 § Komentowanie nie jest możliwe § permalink
Someday in may Daria Woszek rang if could write some music for a short clip, she was then working for a Kodak competition. There was not too much time – just few days, but the movie is just 30 seconds long, so time wasn’t such a big problem eventually.
director
Daria Woszek
director of photography
Piotr Uznanski
scenography.
Joanna Piestrzynska
production
Marek Nawracaj
music
Piotr Zyla
May, 2010, Krakow
Amfitrion @ Stary Teatr Kraków
Luty 27th, 2010 § 0 comments § permalink
The story how i get onto theatrical scene as a musician is rather not typical. Dominik Strycharski was searching for a musician, who’ll play live on stage music, he was then composing for a play Amfitrion. He was thinking about guitarist and someone suggest him to speak with Michal Dymny. Completely by accident I was around during their meeting. Somehow we got to idea, that i can also be useful to play together with Michal – i could do the live electronics and Michal would play the guitar. Eventually just before the rehearsals Dominik got to the point, that he actually has composed mainly electronic music, so he doesn’t need the guitarist on stage. That’s how from kind of additional musician I became the only musician in this play…. fortunately Michal wasn’t angry on me.
author
Heinrich von Kleist
director
Wojciech Klemm
dramatist
Igor Stokfiszewski
scenography
Mascha Mazur
scenic movement
Efrat Stempler
music
Dominik Strycharski
light director
Andreas Fuchs
costumer
Julia Kornacka
translation
Jacek St. Buras
performed by
Małgorzata Hajewska-Krzysztofik, Błażej Peszek, Beata Paluch, Adam Nawojczyk, Arkadiusz Brykalski, Marcin Kalisz, Piotr Zyla – live electronics
27.02.2010 Stary Teatr, Krakow